Kissing an older man goodbye in San Francisco, a woman is next seen driving through the desert in a dark convertible car, stopping briefly to make a phone call at a lost gas station, and reaching Monument Valley where she meets another man.

Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.

暂无英文版的简介，请添加内容帮助我们完善数据库。

In a commercial for Chanel perfume, a women wakes up in chains but slowly breaks free of them to become what she has always wanted.

Avant-garde short by Ono.

The only surviving excerpt of a documentary on film production in Weimar Germany, featuring the different personalities of several famous directors of the era at work on the set including Fritz Lang, Robert Wiene, and E.A. Dupont.

Yerba Buena Center for the Arts commissions Caveh Zahedi to make a film.

暂无剧情简介

Three young men head to an isolated country house to shoot a film that they hope will bring them fame. They have no experience, but possess the will to change their lives. They make various attempts, but none seem to work. The team comes to a creative impasse, but the stakes are too high to give up. In hopes of drawing out their talents, they spend more and more time chipping away at each other. Previously hidden character traits come to light further complicating their relationship and the making of the film. Soon it's each man for himself. Just when the experiment seems utterly failed, one of them is discovered dead. It's not clear whether it's accidental, suicide or murder, but a real body in the scene satisfies - this could be the start of The Film.