Kissing an older man goodbye in San Francisco, a woman is next seen driving through the desert in a dark convertible car, stopping briefly to make a phone call at a lost gas station, and reaching Monument Valley where she meets another man.

Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.

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In a commercial for Chanel perfume, a women wakes up in chains but slowly breaks free of them to become what she has always wanted.

Avant-garde short by Ono.

The only surviving excerpt of a documentary on film production in Weimar Germany, featuring the different personalities of several famous directors of the era at work on the set including Fritz Lang, Robert Wiene, and E.A. Dupont.

Yerba Buena Center for the Arts commissions Caveh Zahedi to make a film.

Alexandre Alexeïeff illustrated the song "Et moi je m'enfouiyais" (En passant) using the pinscreen technique. Norman McLaren illustrated "C'est l'aviron" using drawings on a fixed background, with the characters pasted in as they were drawn.